Sophie Whettnall Yang excess will be exposed until June 26 and of insurance that will be liked by the art lovers for the way in which has created its self-portrait. The already open exhibition will be available at the Joan Miro Foundation in Barcelona until June 26 and offers visitors a passionate metaphor for experience as a woman of the artist Sophie Whettnall through sound and video. Consists in his self-portrait which ventures very deeply into the psyche of the author and explores the latent violence and powerful silences through his work, what makes it’s most intriguing for clients of all hotels in Barcelona. And it is through this tension that penetrates all his self-portraits as the artist communicates better silence so present in his work; an often hard and thick silence that is radically opposed to noise and to lie, reports the official website of the Foundation. Born in Brussels, the artist had already created before other self-portraits as Shadow boxing (2004) or Conversation piece (2005), but excess of Yang is one approach that incorporates Eastern philosophy of yin and yang.
The organizers revealed that aside yang of this belief system was associated with the masculine qualities, action, light and movement, as well as lead, the stress, the fast and reckless driving and lack of sleep. Joan Miro Foundation opens its doors from Tuesday to Saturday from 10 am to 19 h, from 10 to 21: 30 on Thursdays and until 14: 30 on Sundays. The price of entry for the temporary exhibition is 4, while the entry for all Foundation costs 8.50. If you visit the exhibition before June 7, leverages to see another exhibition entitled Murals that includes works from all around the globe. For more information about the event, visit the official website or call the (34) 934 439 470. Excess of Yang will probably be very popular commented Joan Roca, director general of LateRooms Spain. LateRooms.com is recommended to all those who are thinking of attending that they reserved their hotel in Barcelona as soon possible.
' If in the marxist formularization the work is the starting point of the process of humanizao of the social being, also it is truth that, as if objective in the capitalist society, the degraded and lowered work, becomes found odd. What social_ would have to consist in the basic purpose of the being its accomplishment in and by the work is perverted and depauperado.' ' (Lukcs apud Ricardo Antunes, 1953, P. 126). The ecstasy in the absorvimento of the brief interrupted instant of suspended actions in a marked, for the enchanted of an idle time, delayed interval I obtain exactly is lived deeply in transbordante way for the personage Samuel of the text Pause of Moacir Scliar. Without hesitation
The poetry contemporary is the reaction of poetical sensitivity to the racionalizante world of the consumption capitalism that takes off of the modern man the subjectivity becomes, it anonymous, being insignificant part of a great mass consumer. To the poet, in its substance that is the poetry, the paper fits to give to the common man an importance layer as form to place it as to be only incomparable and bonanza. Of – it a new to look at for the reality, provides a new behavior, a new relation with its time, the exacerbado and marcante materialism in its life. The poetry contemporary in the ones of a possibility to feel of true form the world as a whole, taking off of us that sensation of only being part as a gear that makes possible the maquinal functioning of reproduction of the rationality. To think, to look at, to reflect and to perceive are party to suit of sensation of completude of the man. Process this that makes in them to be uncommon and only in the world. The poet, through the organization of the poetical language, it has the power of convoking in them for the release, in freeing of the claws of the rational world.